šŸ„Šāœˆļø Ever Notice Cops Doing THIS?

A subtle trick hiding in plain sight.

Hey Warrior,

Have you ever noticed where cops place their hands when talking?

That they position them high up on the vest.

This isn’t so they can reach their radio easier.

You want to now why?

Let’s find out.

It’s All About Reaction Time

I’ve talked before how distance gives you the precious time you need to react.

But distance alone isn't enough.

There’s another big factor that helps you react faster in a confrontation:

Your hand position.

Think about it…

…if your hands are down by your sides or in your pockets, how long will it take to defend your head?

Too long.

But if your hands are already halfway up, relaxed and natural, you're cutting reaction time drastically.

Cops know this.

That's why you'll see them resting their hands high on their vests—casual, comfortable, and non-threatening, but instantly ready to protect themselves.

But Wait, I Don’t Want to Look Like I’m Fighting…

Exactly!

The goal isn’t to take a fighting stance (that just escalates things).

The goal is to keep your hands up without looking aggressive.

So what do I suggest?

Talk like an Italian.

(Yes, seriously.)

Italians use their hands to emphasize points during conversations.

It looks natural, expressive, and totally non-threatening.

But it also keeps your hands in the perfect place to quickly react if things go sideways.

Natural but Effective

Here's how to practice…

When you talk, casually move your hands to emphasize key points.

Don't overdo it—just keep it comfortable.

People won't even notice your hands are strategically placed to protect yourself, because it just looks natural.

But you’ll know.

And if something happens, you'll shave precious milliseconds off your reaction time—milliseconds that could make all the difference.

Bottom Line

Distance is great, but your hand position matters too.

Combine both, and you'll be ready without escalating.

Remember, talk like an Italian, defend like a warrior.

Until next time. Stay dangerous.

Paul Simoes

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